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“又没打领带”,外交部发言人汪文斌这样解释_我的网站

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“又没打领带”,外交部发言人汪文斌这样解释_我的网站

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Timeline of the major painted rock art groups in Southwest China: A-A′: Jinsha River rock art; B-B′: Mangguan-Cangyuan rock art; C-C′: Zuojiang rock art Photos: Xinhua
    Timeline of the major painted rock art groups in Southwest China: A-A′: Jinsha River rock art; B-B′: Mangguan-Cangyuan rock art; C-C′: Zuojiang rock art Photos: Xinhua
Chinese researchers have obtained the first absolute dates for rock paintings at the Mangguan rock art site in Southwest China's Yunnan Province, pushing the known history of rock art created by prehistoric settled communities in the region back to about 4,220 years ago. The paintings also suggest cultural interactions more than 4,000 years ago between Southwest China and civilizations along the Yellow and Yangtze rivers, as well as possible exchanges with neighboring parts of Southeast Asia, including present-day Myanmar, Thailand and Vietnam, a member of the research team told the Global Times. 
The Yunnan Provincial Institute of Cultural Relics and Archaeology, in collaboration with Nanjing Normal University and other institutions, have recently made a significant archaeological breakthrough. Through systematic surveys and uranium-thorium (U-Th) dating at the Mangguan site in Gengma county, the research team obtained the first absolute dates for the site's rock paintings, tracing rock art created by prehistoric settled communities back to around 4,220 years ago.
The findings were recently published in the international journal Journal of Archaeological Science: Reports.
The Mangguan rock paintings represent one of the best-preserved prehistoric rock art sites in Yunnan. The research team presented high precision U Th dating of carbonate accretions that stratigraphically overlie the painted motifs at the Mangguan site, according to the paper published in the journal.
The dating results show that carbonate deposits overlying a human figure yielded a corrected age of 4,240 ± 19 years before present, confirming that ancient people living in the region had already produced mature figurative art at least 4,220 years ago, Wu Yun, first author of the paper and an associate researcher at the Yunnan Provincial Institute of Cultural Relics and Archaeology, was cited by the Xinhua News Agency report as saying.
Dating results from 11 samples taken from different motifs clustered between about 3,907 and 3,056 years ago. By comparison, the Cangyuan cliff paintings had previously been dated to roughly 3,800 to 2,700 years ago. The Mangguan paintings are therefore significantly older, filling an important chronological gap in the region's artistic record before the Cangyuan phase.
Shao Qingfeng, corresponding author of the paper and a professor at the School of Geography at Nanjing Normal University, told the Global Times that previous estimates dated the Mangguan rock paintings to a little over 3,000 years ago based mainly on imagery and comparisons with similar regional sites. Using microsamples of secondary carbonate deposits overlying the paintings, researchers have now obtained a precise minimum age of about 4,220 years before present without damaging the rock art.
The findings and the establishment of this chronological framework not only strengthen the archaeological foundation for studying rock art in Southwest China, but also provide a direct reference for rock art sites across Southeast Asia that have yet to undergo systematic dating, Shao said. 
The findings may also challenge long-held perceptions of Southwest China around 4,200 years ago - roughly the era of the Xia Dynasty (c.2070 BC-C.1600 BC) - and help fill a key gap in understanding the pluralistic yet integrated development of Chinese civilization. 
Shao said that while academic research has traditionally focused on the Yellow River and Yangtze River basins as cradles of early Chinese civilization, sites such as Mangguan and Cangyuan show that stable and culturally active communities also thrived in mountainous Southwest China. The newly established rock-art chronology brings an artistic dimension to the broader narrative of China's enduring cultural development. 
Moreover, stylistic similarities suggest that Southwest China maintained exchanges with the Yellow River and Yangtze River regions and with early societies in Southeast Asia, providing material evidence of cross-regional interaction more than 4,000 years ago.
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据央视新闻报道,在5月15日的外交部例行记者会上,记者在现场注意到,与以往不同的是,外交部发言人汪文斌没有打领带。
对此,汪文斌解释称,今年5月13日至19日是我国第34个全国节能宣传周,主题为“绿色转型,节能攻坚”。今天是全国低碳日,主题是“绿色低碳,美丽中国”。中国始终牢固树立和积极践行“绿水青山就是金山银山”的理念,站在人与自然和谐共生的高度谋划发展,加快发展方式绿色转型,推动经济社会发展绿色化、低碳化。
“相信各位记者朋友也注意到了,今天我们调高了蓝厅空调的温度,关闭了部分公共区域的照明,我们愿同大家一道继续从我做起,从身边小事做起,积极应对气候变化,践行绿色低碳生活,为推进人与自然和谐共生,建设清洁美丽的世界作出贡献。”
极目新闻记者注意到,这并非外交部发言人在例行记者会上第一次没打领带。
在2021年8月25日的外交部例行记者会上,外交部发言人汪文斌同样没有打领带。
当时,汪文斌表示:今天是全国低碳日,本周是中国第31个全国节能宣传周,主题是“节能降碳,绿色发展”。“今天外交部蓝厅没有开空调,我也没有像往常一样系领带。蓝厅入口处的电子显示屏还播放有关节约用水、珍爱地球的宣传视频和电子海报。这些都是外交部参与全国节能宣传周的具体举措。当然,我们所做的远不止这些。”
2019年6月19日,时任外交部发言人的陆慷在主持例行记者会时也没有打领带。

二 |

当时,陆慷解释称,“大家可能注意到,我没有打领带。

三 | 这是因为今天(19日)蓝厅的空调冷气不像平时那么足,我们作了特意安排,调高了温度。”“本周是中国的‘全国节能宣传周’,主题是‘绿色发展,节能先行’。今天(19日)恰好是全国低碳日,主题是‘低碳行动,保卫蓝天’。

四 | 提高全社会节能意识和节能能力,推动普及绿色生产生活方式,动员全社会广泛参与低碳行动,培育引领低碳新风尚,这是我们实现绿色低碳发展、推进生态文明建设和建设美丽中国的重要内容。”

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Published on:06:17:57


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